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Initially, the decision he makes to forgo addressing the artists and design that has shaped Black Panther may appear a gross oversight in a critical text concerning a visual medium. Ultimately, Burroughs is concerned with the effect each of the seminal writers had on the molding of King T’Challa.

Todd Steven Burroughs aims to cover the historical ups and downs of the character in Marvel’s Black Panther: A Comic Book Biography from Stan Lee to Ta-Nehisi Coates, though he establishes one caveat early in the text: his focus is almost exclusively on writers. “Wakanda Forever”-Black Panther’s rise to cultural touchstone was not without complications, missteps, and nosedives into obscurity. While it may be difficult to remember a time when T’Challa, the Dora Milaje, or Killmonger weren’t household names-what with handsome photos of the cast plastered across the internet, toy aisles filled with merchandise, and a ubiquitous catchphrase permeating the lexicon, i.e.

Marvel’s Black Panther: A Comic Book Biography from Stan Lee to Ta-Nehisi Coates. Diasporic Africa Press, 2018.Ģ018 saw the release, and subsequent celebration, of Marvel’s Black Panther (Ryan Coogler, 2018), currently the second highest grossing film adapted from comics (“Black Panther”). Volume 3, Issue 2: William Blake and Visual Cultureīurroughs, Todd Steven.

Volume 3, Issue 3: Comics and Childhood.Volume 4, Issue 1: The Comics Work of Neil Gaiman.Volume 4, Issue 3: ImageSexT Proceedings.Volume 5, Issue 3: Convergences Proceedings.Volume 5, Issue 4: Alan Moore and Adaptation.Volume 6, Issue 2: ImageNext Proceedings.Volume 6, Issue 3: Shakespeare and Visual Rhetoric.Volume 7, Issue 1: Worlds of the Hernandez Brothers.Volume 8, Issue 1: Monsters in the Margins.Volume 9, Issue 2: Mixing Visual Media in Comics.Volume 10, Issue 3: Comics and Fine Art Forum.